daughters. DC: I think Im drawn to people who are close to their families. As Chew-Bose writes in the book, becoming is precarious terrain. Theyre the kinds of delineations of self that have the reader (or at least, some of us) nodding along. This book was like letters in my mind to them. Jia Tolentino: Its hard to define this book. Beyond the landscape of her family home, Montreal also plays a prominent role in the collection as an ever-present backdrop to her explorations of memory and family. And in that way it felt less like I was sharing to the world anecdotes of our private connections and lives and loves, but more that I was writing to them.
Shed been through some things, but never mind. JT: In the very last essay, family is another thing that keeps coming back. But the nook people thing, its something more specific. But I keep returning to the details as though theyre my lifeblood, so Im not sure if Im completely ready to abandon that point of view. . They had all lived through. At the time I knew who organized it but I didnt know who had picked the writers. Jezebel, as well as contributing editor. The latter is something we talk about at lengthspecifically in terms of the shift from the insular process of writing to a book being out in the world, with all the publicity and visibility that requires. Youre intercepting things, youre taking a chance that when you write them down theyll still be true. Los Angeles Review of Books ). I thought: All I want is this. He ends on an even more menacing note: "Because you will need more." Strout captures Charlies rage well, though his love for Tracy isnt as convincing as his fury at her request. .
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